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Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Monday, 13 December 2010

Janice Parker

Bribing a magpie Bribing a Magpie
 

Q So who is Janice Parker?
A lady of “mature years”- whatever that is? Slightly demented but happily married fifty-one year old mother of two (clean your room Adam!!)

 
Q When did you decide to become a maker?
I’ve always drawn and made “stuff” but never in any really focused way until quite recently. In 2006 decided to do a degree in Applied Arts at Glyndwr University, Wrexham, where I had to opportunity to work with ceramics, glass and metal. I had a great time, made a lot of good, like-minded, friends and finally found my passion – working with ceramics and metal.

 
Q What made you choose the materials that you work with?
Like a lot of people – just fell into it. In my second year at uni I was mainly making jewellery with copper and silver, but in the third year I began making up stories and sketching little people in various situations. I tried reproducing them in various materials - wire, paper, textiles – but they didn’t have the true feel of my illustrations so I decided to try hand building and slip casting with porcelain and then applying the sketches in the form of ceramic transfers – which is how I work today.

 
Princess Bed 1 Princess Bed

 
  Q What other materials would you like to work in?
I am a bit of a mixed media type person and do use paper, wood and textiles to produce little one-off narrative pieces based on fairytales. I do enjoy printing and am hoping to get time to explore this further.

 
Q Where do you get your inspiration from?
Mainly from day-dreaming! The “Time Thieves” series all started from me watching some magpies in the garden when I was washing-up. Over a couple of weeks the story in my head just grew – I’m still adding to it all the time.

 
Pricess Bed 2 The Princess Bed

 
Q What motivates you?
Not money – although it’s necessary. I just have this need to be making and using my hands – like a lot of makers I get “itchy” fingers if I’m not working.

 
Q Do you create your work in a studio base or a home base?
I have a workshop space, where I produce the ceramic pieces, in a Gallery/Artists Workshops run by two lovely friends. It’s on the side of a hill with panoramic views of the Cheshire plain – it’s a great location but sometimes the sitting on the deck looking at the views (drinking wine) interferes with the production rate! On the downside, I make the metal components for my pieces at home in a little, cold shed full of bikes and garden equipment – some you win some you lose.

 
Q Crafts in the 21st Century – what does this mean to you?
Difficult question. To some “crafts” is a dirty word and conjures up images of knitted tea cosies. To me it means the use of traditional skills and techniques to produce contemporary works. I’m not an “artist”, I’m a maker and proud of it.

 
Thieves of Time Thieves of Time - Detail

 
Q How do you sell and promote your work?
I am quite new to this so I started by attending a couple of trade shows which got my work seen by a lot of galleries. It was quite an expensive option but I feel it was worthwhile as I am still being contacted by galleries 6-7 months after the event. Janice’s website can be found here: www.randomjanice.co.uk
Links and Galleries where my work can be seen: Mickerloo Gallery,Cheshire, Design GAP (online site), The Lion Gallery, Leominster, Hereford, Iapetus Gallery, Great Malvern, Worcs., ntAMa Studio Gallery, Todmorden, W. Yorks , Cambridge Contemporary Crafts, Cambridge, Chapel Gallery, Ormskirk, Lancs, Sussex Barn Gallery, West Dean, Chichester, W. Sussex, The Craft Centre and Design Gallery, City Art Gallery, Leeds

 
Janice Parker JP31
The Thieves of Time - Detail

 
Q What is your typical working day look like?
Four days a week I leave home about 8.00am for the Gallery – I do the set-up in the Café! Then after several coffees/fags I start work on the ceramics – this could be slip casting the larger pieces or hand building the figures and houses. I don’t have a set routine – just see what I fancy making that day or finishing off jobs like glazing or applying the transfers. The workshops are closed on Tuesdays so generally I do a little bit of housework (bare minimum) and then work on the metal pieces in the shed. I also work down the shed at the weekends if I’ve got a rush on with orders – can be pretty much full time some months. Must be mad!

 
Q What is your working style?
Illogical and unstructured.

 
Q 3 words of advice for an aspiring Craft artist/maker...
Experiment, Persevere, Enjoy.

 
Q Who is/are your favourite artist(s)/maker(s)?
My favourite artists are the painter Jenny Saville and sculptors Rachel Whiteread and Doric Salcedo. I love makers who work with narrative themes and make me smile such as Samantha Bryan, Julie Arkell and Robert Race. A young maker who I admire is Helena Sharpley – her wire scenes are amazing.

 
Janice Parker JP30
Magpie on Stand & Man and Peanut
 

Q What music do you listen to?
Quite a mixture – I love Pink she just makes me want to dance. I also listen to Keane, The Killers and Maroone 5 ( music to slit your wrist’s to according to my daughter). At the moment I am mad on Muse and Plan B – played very loudly in the car. My secret pleasure is a bit of Michael Buble.
 

Q 3 likes and dislikes?
I like my cat, hazelnut chocolate and smoking. I dislike earwigs, the smell of kippers and smoking!
 

Q What do you do to relax?
I love computer games – Zelda rocks! I also like going to the cinema by myself and consuming large quantities of popcorn whilst watching some god-awful rom-com – bliss.

 
The Thieves of Time The Thieves of Time
 

 
Artists Statement:
Based in Chester, Janice is a contemporary artist/maker who combines various materials and techniques to produce three-dimensional imaginary worlds. She is drawn to the kitsch and quirky – things which make her smile such as automata, robots and flying plaster ducks.

In the past she has used resin, fabric, felt, wood and copper to realise her ideas. However, her most recent work is constructed from slip cast and hand built porcelain to which she has applied her own illustrations in the form of transfers. These porcelain pieces are then further enhanced by the addition of patinated copper and wooden elements. The design of the individual pieces harks back to the tradition of 17th Century Staffordshire flat-back figurines.

Entitled “The Thieves of Time, the Magpies and the Star Machine, these pieces depict scenes from a tale from my imagination. The Thieves of Time control the movement of the stars and the production of “time” – they make the world go around. Having trapped and trained magpies (rewarding them with peanuts!) to steal items concerned with timekeeping - watches, clocks, egg-timers, etc – they then extract the tiny bits of time still contained in the mechanisms by putting them into their star machine. These stars shoot out into the universe and thus replace the time we humans are frittering away.

Tuesday, 5 October 2010

Jay Anderson

Cute Scottie Dog Card 5 x 7 Illustration

Cute Scottie Dog - Card illustration


 
Q. How did you decide to become a maker?
I think it’s always been in my blood – perhaps it’s because I grew up with Mums and Grans (editors note: Grans = Grandmothers) who made everything from Christmas decorations to toffee apples.


Q. What made you choose the materials that you work with?
I work very intuitively and get quite involved with a project and materials that relate to it and then I’ll take up something new that my mind’s been mulling over for a long time. I think a lot before I do any work and then I leave it to my intuition. 

 

Kirsty Cat - Fun Card Illustration


 
Q. Crafts in the 21st Century – what does this mean to you?
I’ll begin by saying I’d like to be an optimist about there being a resurgence towards applied arts. In some of the art colleges crafts / applied arts, I feel, have not been given the gravitas behind them that other disciplines get. For example, ceramics, furniture and certain forms of textiles are being ‘rationalised’ within the art college syllabus whether it’s for health & safety reasons, costs or lack of uptake. But you won’t get an uptake if there is a lack of facilities and opportunities at school level. If it’s not recognised then the need for crafts and applied arts becomes an ever-decreasing circle that’s self-perpetuating. It’s a bit sad really, if there’s less and less engagement to develop these skills at an early age and there’s less and less places available to progress to … well the rest is as we see it today.

My final observation is the lack of inheriting craft skills from previous generations. It was a natural process – people (mostly women) made things whether out of necessity or cost factors and children learned from their mothers and grandmothers. This doesn’t happen as much now - the average person now lives in a cheap quick mass produced world or uses their free time with gadgets (and I’m thinking TV, computers etc) that take them away from the need to create. I understand why this is so, as we know, women’s roles have changed dramatically in the last 20/30/40 years. Most are in some form of employment so it’s difficult to free up the time or have the mental energy or the money to be a maker let alone a professional one.

However, I do see a development from small pockets of creatives (whether trained or self taught) who are pulling together, not unlike a cooperative, and are beginning to make head roads into establishing coordinated events that may drive people into taking up the need to make and create. We need to have environments like Greenwich Market in the cities and major towns of Scotland. I shall now take a deep breath and get off my soapbox! Long live the makers!


Original Mixed Media Collage Modern Artwork 21 x 22.5 cm
The Outsider – Mixed Media Collage

Q. How do you sell your work?
I sell work through various sources as I have only just begun to ‘do it for myself’ so I use Etsy, http://www.etsy.com/shop/ziggyandfriends as well as http://www.etsy.com/shop/sunshinescot. I’m building some connections with independent shops in Glasgow, Edinburgh and locally in Fife and am about to embark on my first craft fair in Edinburgh through The Spider and The Fly


Q. What is your working style?
It changes all the time. I’ve done some commissions where I’ve created expressionist/abstract works of art and then I’m using the finest fine line pen to work on great detail. At the moment I’m enjoying clean illustrations with limited colours as well as deciding to make a rabbit and finish off my stencil artwork based on a Russian bear and Communism. Working style hmmmm… a bit mixed really!

 
Original Mixed Media Collage Modern Artwork 15 x 15 cm
Moon 3 – Mixed Media Collage

Q. 3 words of advice for an aspiring Craft maker...
Believe in what you do
Don’t wait for tomorrow
Be true to yourself

 
1970's Original Vintage Gouache Painting Strawberry Theme Design 22 x 28.5 cm
Strawberry Textile Design – Gouache & Cartridge Paper
 

Q. What inspires you?
That’s a hard one to answer because it’s so eclectic. The last exhibition that inspired me was the Charles Avery at Scottish Gallery of Modern Art, Edinburgh. I love Andrew Joyce’s work at the moment. I love seeing my friends’ work. Loving Swoon at the moment too. But it can be a photograph or a texture or a conversation …….


Q. Who is your favourite artist/maker?
Too many to list … I’ve already mentioned Swoon but I find it very hard to name one or two.

 
original OOAK silk fabric artwork
Take Me – Silk Screen Print on Silk Fabric Using

Q. You walk into your bathroom and see a crocodile in the bath tub....what would you do?
How do you know I have a crocodile in my bathroom????! I say ‘good morning’ of course!!!

Monday, 4 October 2010

Hazel Terry

 
clip_image002
Untitled
 
Q. How did you decide to become a maker?
I have always been a maker since I was in my early teens, my first job was at a pottery, painting on glazes, and then I worked at a craft centre demonstrating silkscreen printmaking, ceramics, candle making amongst many other craft techniques. I always loved making my own clothes and things, maybe its part of an all consuming desire to be independent, capable and strong, it is incredibly satisfying and life affirming.


clip_image004
Untitled
 

Q. What made you choose the materials that you work with?
I don’t have any fixed media that I use. I qualified as a painter so this is my preferred media, but I also studied Fine Craft Design, which included jewellery, ceramics and textiles. So I do move between media. A lot of the work that I do with my students is in animation, mixed media, Paper Mache and other recyclables. However more and more I like textiles but this can change to printmaking, collage and numerous other mediums. I switch between the desire to make very functional objects and the need to make things that are flippant, fun or just art.


clip_image010
Untitled
 
Chicken Lady
 

Q. Crafts in the 21st Century – what does this mean to you?
Everything!
We now use so many materials in our creation of craft and this is evolving all of the time. We have quick, short lived movements in craft and art; this reflects the speed of our culture and communication, it is an interesting time. Increasingly I have concerns about the de-skilling of our art education. Art schools are losing traditional craft specialism; an example of this is Edinburgh Art College’s recent disbandment of their tapestry course. Glasgow School of Art, following Edinburgh and Dundee, will no longer be running a ceramics degree after the current academic year. Once we have lost these courses their equipment and specialist, craft practitioner, lecturers it is very difficult to reinstate them, and these skilled crafts are not available to future generations. I am sure that this trait in Scotland is being replicated throughout Britain and many other countries worldwide.
 
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Kath’s Birthday Brooches (Kath is a Barber)
 

Q. How do you sell your work?
I occasionally participate in exhibitions, I am approached privately and I also have etsy and DaWanda shops.
http://www.etsy.com/shop/STOPMEANDBUYONE
http://en.dawanda.com/shop/Crowinghensandwhistlingwomen
 
clip_image014
Nettle Beer



Q. What is your working style?
My mind has to be clear, so everything else has to be done first. That includes all the cleaning, kids in bed, no outstanding work and a clear workspace. Unfortunately these days I need a clear idea of what I am going to do. This is a problem, I watch my daughter, she just lets loose on the paper and it works, she has no inhibitions. Maybe it’s because time is so limited for me, I want to know whatever I am working on is going to work out. I know that this is a mistake and it is a problem that I need to address, I need to play more often.
 
clip_image018
Super Soft – Appliqué

 
Q.   Three words of advice for an aspiring Craft maker...
Constantly evolve.
Learn new skills.
Get a partner who is good at all aspects of business!
 
clip_image008
Violet
 

Q. What inspires you?
Everything inspires me, but mainly my family, nature and fun.
 
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Rosehip Syrup – Appliqué
 

Q. Who is your favourite artist/maker?
Oswald Flump is one of many, many artists and makers whose work I love.
 
 
Untitled – Altered Leaves
 

Q. You walk into your bathroom and see a crocodile in the bath tub....what would you do?
Check it’s got enough water and food; probably go to the fishmongers and by some fish for it!

 
Chicken
 

You can check out Hazel’s blog and photos of her work at the following addresses: 
http://theartroomplant.blogspot.com/
http://www.flickr.com/photos/hazehaze/