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Showing posts with label altered art. Show all posts
Showing posts with label altered art. Show all posts

Friday, 16 September 2011

Shellie Holden

Wall Paper - Mounted Paper Textile Approx. 60 x 115 cm

 

Q So who is Shellie Holden?

I am an artist/maker, wife and mother brought up in Lancashire, trained originally in embroidery at MMU, Manchester then later at Goldsmiths University, London. I lived in London for 11 years before relocating to Wales two years ago, having been drawn to living by the coast.

 

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Behind Clouds - Framed Paper Textile - 41cm x37cm

 

Q How did you decide to become a maker?

Naturally progressed from a background steeped in creative and practical endeavours. It seemed the most obvious and fulfilling direction for me to take.

 

Text Book

 

Q What made you choose the materials that you work with?

Low cost/low key/reclaimed- freedom they gave to be experimental and non-precious with the opportunity to turn them into something unique and valuable because of the labour and investment of time spent in the making.

Extracted Teeth Book and Neckpiece

 

Q Are there any other materials you would like to explore and work in?

I have recently been producing a series of laser cut paper textiles and this has led to an interest in working with more precious materials such as silver and copper as this would enable me to produce more robust pieces hat could be used for both interior pieces and body adornment.

Bookworm

 

Q What are you currently working on

Several projects - one of which involves looking after my new-born! I’m catching moments in-between to work on pieces, including the project described above. I am also completing a piece for the ‘First Anniversary: Paper’ exhibition, 5th May- 31st July 2011, at Unit Twelve, Tixall Heath Farm, Tixal, Stafford, ST18 0XX and also for an exhibition at Newport Art Gallery and Museum, Wales, with Fibre Arts Wales, a textile group that I am affiliated, 30th April - 11th June.

 

Q Where do get your inspiration from?

Difficult to pinpoint exactly - my surroundings, attitude to life, experiences and chance occurrences. Perhaps something someone has said, or something I have seen that triggers a response or reaction.

 

Q What motivates you on a cold winter’s day?

Being in my home. I collect and acquire pieces of furniture, objects and textiles which I enjoy refurbishing, restyling and reinventing. This is an on-going project, which I see as part of my creative work. I like the idea that objects can evolve and change, but can also be timeless when mixed with traditional and contemporary styles.

Stitched and Constructed Textile Painting  - Dimensions 92cm x 92 cm each

 

Q Do you create your work in a studio base or a home base?

I have a studio from home in the loft of our Victorian property. It’s a unique space, which has slanted walls and an original fireplace. I have furnished this with tables and chairs I have acquired over the years, each which has its own story. They just happen to fit perfectly around the edge of the room leaving me a big open space in the middle. I love walking to the top of the staircase and entering the room. It is my sanctuary.

Q What is your working style?

It is very much about collecting and collating, reclaiming and reinventing. I approach my work with an idea, which I then aim to convert into visual objects/pieces through a process of experimentation with materials and techniques.

Q What does a typical day look like?

Varied - Some days/weeks I am able to devote entire periods to the production of new work, which I find deeply gratifying and inspiring. Other times I am distracted by domestic chores, and other projects, which perhaps take me away from the immediate task of making although give me the time and space to process ideas and consider new or different approaches, which are equally valuable to my work as a whole.

Stitched and Constructed Textile Painting 2 - Dimensions 50cm x 40 cm

 

Q Crafts in the 21st Century – what does this mean to you?

Versatility, vitality, diversity - breaking the rules, revisiting traditional materials and techniques, experimenting with new technology. Less about trying to categorise, more about (effortless) originality.

Q How do you sell and promote your work?

I am a member of CAA, London, Fibre Arts Wales and Textile Forum South West (TFSW). I’ll be showing work at the two exhibitions due to open (mentioned above), and am hoping to sell work directly through my website soon.

Q 3 words of advice for an aspiring Craft artist/maker...

Perseverance, persistence and passion!

 

Corsages - hand made in fabric or paper. Approx. 10 cm circumference

 

Q Who is/are your favourite artist(s)/maker(s)?

Wide and varied including photography, sculpture, painting, textiles, mixed media….. Includes Jeff Wall, Cy Trowbly, Sarah Sze, Jonathan Callen, Louise Hopkins, Joseph Cornels….My husband recently brought me an exhibition catalogue featuring photographs by Robert Polidori which I am currently looking at.

 

Q What music are you listening to at the moment?

Wintermusik by Nils Frahm, The Blue Notebooks by Max Richter, Music for Egon Schiele, by Rachel’s, Found Songs by Olafur Arnalds……

 

Q What do you do to relax?

Fresh sea air (and a swim in the sea in summer) always helps.

 

Ordnance survey of England, Kingsbridge and District (third edition) sheet 150, 1908-9 - updated in London 2006 Dimensions and Ordnance survey of England, Cornwall and Devonshire 1919 - updated in London 2006 - Framed Stitched Drawing 75cm x 87cm

Monday, 4 October 2010

Hazel Terry

 
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Untitled
 
Q. How did you decide to become a maker?
I have always been a maker since I was in my early teens, my first job was at a pottery, painting on glazes, and then I worked at a craft centre demonstrating silkscreen printmaking, ceramics, candle making amongst many other craft techniques. I always loved making my own clothes and things, maybe its part of an all consuming desire to be independent, capable and strong, it is incredibly satisfying and life affirming.


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Untitled
 

Q. What made you choose the materials that you work with?
I don’t have any fixed media that I use. I qualified as a painter so this is my preferred media, but I also studied Fine Craft Design, which included jewellery, ceramics and textiles. So I do move between media. A lot of the work that I do with my students is in animation, mixed media, Paper Mache and other recyclables. However more and more I like textiles but this can change to printmaking, collage and numerous other mediums. I switch between the desire to make very functional objects and the need to make things that are flippant, fun or just art.


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Untitled
 
Chicken Lady
 

Q. Crafts in the 21st Century – what does this mean to you?
Everything!
We now use so many materials in our creation of craft and this is evolving all of the time. We have quick, short lived movements in craft and art; this reflects the speed of our culture and communication, it is an interesting time. Increasingly I have concerns about the de-skilling of our art education. Art schools are losing traditional craft specialism; an example of this is Edinburgh Art College’s recent disbandment of their tapestry course. Glasgow School of Art, following Edinburgh and Dundee, will no longer be running a ceramics degree after the current academic year. Once we have lost these courses their equipment and specialist, craft practitioner, lecturers it is very difficult to reinstate them, and these skilled crafts are not available to future generations. I am sure that this trait in Scotland is being replicated throughout Britain and many other countries worldwide.
 
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Kath’s Birthday Brooches (Kath is a Barber)
 

Q. How do you sell your work?
I occasionally participate in exhibitions, I am approached privately and I also have etsy and DaWanda shops.
http://www.etsy.com/shop/STOPMEANDBUYONE
http://en.dawanda.com/shop/Crowinghensandwhistlingwomen
 
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Nettle Beer



Q. What is your working style?
My mind has to be clear, so everything else has to be done first. That includes all the cleaning, kids in bed, no outstanding work and a clear workspace. Unfortunately these days I need a clear idea of what I am going to do. This is a problem, I watch my daughter, she just lets loose on the paper and it works, she has no inhibitions. Maybe it’s because time is so limited for me, I want to know whatever I am working on is going to work out. I know that this is a mistake and it is a problem that I need to address, I need to play more often.
 
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Super Soft – Appliqué

 
Q.   Three words of advice for an aspiring Craft maker...
Constantly evolve.
Learn new skills.
Get a partner who is good at all aspects of business!
 
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Violet
 

Q. What inspires you?
Everything inspires me, but mainly my family, nature and fun.
 
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Rosehip Syrup – Appliqué
 

Q. Who is your favourite artist/maker?
Oswald Flump is one of many, many artists and makers whose work I love.
 
 
Untitled – Altered Leaves
 

Q. You walk into your bathroom and see a crocodile in the bath tub....what would you do?
Check it’s got enough water and food; probably go to the fishmongers and by some fish for it!

 
Chicken
 

You can check out Hazel’s blog and photos of her work at the following addresses: 
http://theartroomplant.blogspot.com/
http://www.flickr.com/photos/hazehaze/