Shellie Holden

Wall Paper - Mounted Paper Textile Approx. 60 x 115 cm

 

Q So who is Shellie Holden?

I am an artist/maker, wife and mother brought up in Lancashire, trained originally in embroidery at MMU, Manchester then later at Goldsmiths University, London. I lived in London for 11 years before relocating to Wales two years ago, having been drawn to living by the coast.

 

Behind Clouds - Framed Paper Textile - 41cm x37cm

 

Q How did you decide to become a maker?

Naturally progressed from a background steeped in creative and practical endeavours. It seemed the most obvious and fulfilling direction for me to take.

 

Text Book

 

Q What made you choose the materials that you work with?

Low cost/low key/reclaimed- freedom they gave to be experimental and non-precious with the opportunity to turn them into something unique and valuable because of the labour and investment of time spent in the making.

Extracted Teeth Book and Neckpiece

 

Q Are there any other materials you would like to explore and work in?

I have recently been producing a series of laser cut paper textiles and this has led to an interest in working with more precious materials such as silver and copper as this would enable me to produce more robust pieces hat could be used for both interior pieces and body adornment.

Bookworm

 

Q What are you currently working on

Several projects - one of which involves looking after my new-born! I’m catching moments in-between to work on pieces, including the project described above. I am also completing a piece for the ‘First Anniversary: Paper’ exhibition, 5th May- 31st July 2011, at Unit Twelve, Tixall Heath Farm, Tixal, Stafford, ST18 0XX and also for an exhibition at Newport Art Gallery and Museum, Wales, with Fibre Arts Wales, a textile group that I am affiliated, 30th April - 11th June.

 

Q Where do get your inspiration from?

Difficult to pinpoint exactly - my surroundings, attitude to life, experiences and chance occurrences. Perhaps something someone has said, or something I have seen that triggers a response or reaction.

 

Q What motivates you on a cold winter’s day?

Being in my home. I collect and acquire pieces of furniture, objects and textiles which I enjoy refurbishing, restyling and reinventing. This is an on-going project, which I see as part of my creative work. I like the idea that objects can evolve and change, but can also be timeless when mixed with traditional and contemporary styles.

Stitched and Constructed Textile Painting  - Dimensions 92cm x 92 cm each

 

Q Do you create your work in a studio base or a home base?

I have a studio from home in the loft of our Victorian property. It’s a unique space, which has slanted walls and an original fireplace. I have furnished this with tables and chairs I have acquired over the years, each which has its own story. They just happen to fit perfectly around the edge of the room leaving me a big open space in the middle. I love walking to the top of the staircase and entering the room. It is my sanctuary.

Q What is your working style?

It is very much about collecting and collating, reclaiming and reinventing. I approach my work with an idea, which I then aim to convert into visual objects/pieces through a process of experimentation with materials and techniques.

Q What does a typical day look like?

Varied - Some days/weeks I am able to devote entire periods to the production of new work, which I find deeply gratifying and inspiring. Other times I am distracted by domestic chores, and other projects, which perhaps take me away from the immediate task of making although give me the time and space to process ideas and consider new or different approaches, which are equally valuable to my work as a whole.

Stitched and Constructed Textile Painting 2 - Dimensions 50cm x 40 cm

 

Q Crafts in the 21^st Century – what does this mean to you?

Versatility, vitality, diversity - breaking the rules, revisiting traditional materials and techniques, experimenting with new technology. Less about trying to categorise, more about (effortless) originality.

Q How do you sell and promote your work?

I am a member of CAA, London, Fibre Arts Wales and Textile Forum South West (TFSW). I’ll be showing work at the two exhibitions due to open (mentioned above), and am hoping to sell work directly through my website soon.

Q 3 words of advice for an aspiring Craft artist/maker...

Perseverance, persistence and passion!

 

Corsages - hand made in fabric or paper. Approx. 10 cm circumference

 

Q Who is/are your favourite artist(s)/maker(s)?

Wide and varied including photography, sculpture, painting, textiles, mixed media….. Includes Jeff Wall, Cy Trowbly, Sarah Sze, Jonathan Callen, Louise Hopkins, Joseph Cornels….My husband recently brought me an exhibition catalogue featuring photographs by Robert Polidori which I am currently looking at.

 

Q What music are you listening to at the moment?

Wintermusik by Nils Frahm, The Blue Notebooks by Max Richter, Music for Egon Schiele, by Rachel’s, Found Songs by Olafur Arnalds……

 

Q What do you do to relax?

Fresh sea air (and a swim in the sea in summer) always helps.

 

Ordnance survey of England, Kingsbridge and District (third edition) sheet 150, 1908-9 - updated in London 2006 Dimensions and Ordnance survey of England, Cornwall and Devonshire 1919 - updated in London 2006 - Framed Stitched Drawing 75cm x 87cm

Anu Raina

Anu Raina Collection - Fashion Show – Sept 2010

Q So who is Anu Raina?
I am an emerging Textiles Artist / Designer.

Q Where in the world are you?
I am based in Toronto, Canada.

Fall 2010 - Screen Print Fabric

 
Q When did you decide to become a maker?
Having moved to Canada in July 2004, and with the arrival of my second child in 2005, I took a break from my career to take care of my kids. In July 2008 I happened to visit the Crafts and Design wing at Sheridan College. I was completely blown away by the creativity and the talent of the graduates. I felt challenged and knew it was my calling. I enrolled in the Textile design program right away. It’s a 3 year intensive program. I got an advance standing for the first year and graduated in June 2010 with High Honours and a Top medal.
 

Silk Screen Print Scarf

 

Q What made you choose the materials that you work with?
My work is mostly Textile based but not completely restricted to them. For me it’s more about expressing my inner self, medium just becomes a tool to achieve this goal. But Textiles do work like a blank canvas for me where I can go crazy creating different textures with free hand drawing and many other printing techniques that I learnt at Sheridan. The beauty of Textiles is that you can cut, sew, manipulate it and actually wear your own art work.

 Burnt Holes Silk Dress

 

 Burnt Holes Detail

 

Q What other materials would you like to work in?
I do like to work with discarded materials. One of my recent Autobiographical pieces titled “Chapter 2, Page 1” was made with discarded embroidery punch cards and fishing line.

Chapter 2, Page 1 – Mixed Media

 

Q Where do you get your inspiration from?
I get inspired by anything / everything around me but mostly by my own journeys in life.
 
Q What motivates you?
A strong urge to transform my emotions into a visual language.
 
Q Do you create your work in a studio base or a home base?
My work is mostly studio based. After graduating from Sheridan, I got lucky to be selected as an artist in residence at the prestigious Harbourfront Centre in Toronto. It’s a very inspiring place and I get to share the studio with incredibly talented people.
 

Anu Screen Printing at her Harbourfront Studio

 

Q Crafts in the 21^st Century – what does this mean to you?
Craft to me is art perceived by heart and conceived by hands. I believe it is not bound by time. It’s a timeless endeavour. Ingenious handcrafted objects have been unearthed by archaeologists from the prehistoric times.

How do you sell and promote your work?
As I have just started, I primarily promote and sell my work via my website and a few boutique stores in Toronto. You can see my work on my website / Blog ( I share my inspirations and concepts on my blog) http://www.anuraina.com/

Hand Dyed, Silk Screen Print Scarf

 
Q What is your typical working day look like?
There is no typical working day for me as I don’t have a 9-5 job. Making art is fun and I love to have fun any time of the day.

Q What is your working style?
My working style is very abrupt and impulsive. If I don’t feel inspired I don’t work for days but when something inspires me, it just consumes me completely. My work tends to be complex, layered and sometimes obsessive. For example I recently made a piece of wearable art (a jacket in the shape of a stealth bomber) with over 10,000 staples and actually ended up spraining my wrist.
 

Stapled Series - (jacket, shoulder bag and back pack bag)

 

Stapled Jacket – part of the Stapled Series

 
Q 3 words of advice for an aspiring Craft artist/maker...
Passion / Perseverance / Faith
 
Q Who is/are your favourite artist(s)/maker(s)?
There are different things I admire about different Artists / Designers. I love Canadian Fibre artist Dorothy Caldwell’s work. There’s something very spiritual about it. http://www.ccca.ca/ I love the lightness and beauty of Virginia Johnson’s prints. I wish I could inject some of it in my own work which tends to be on a heavier side. http://www.virginiajhonson.com/ I love the weaving techniques of Caitlin Earskin Smith. www.scattermint.com. I am inspired by the dedication of Arounna Khnnouraj to her craft. (she is a mother of two kids as well) http://www.bookhou.com/ I feel spell bound by Ray Materson’s work and admire his courage http://www.raymaterson.com.%20i/ totally love the inventive approach of Canadian artist / designer Denis Gagnon. http://www.denisgagnon.ca/

 Staples – Detail

 

Q What music do you listen to?
I love listening to Alanis Morissette, Joan Osborne, James Blunt, AR Rahman, Krishna Das and Rasa by Kim Waters.
 
Q 3 likes and dislikes?
I love simple hearted people, hot soups and my family. I abhor slugs and Potato bugs, falling sick and missing a bus.
 
Q What do you do to relax?
I cook for my family, surprisingly it works like a complete stress buster for me.

Clothing Show –Sept 2010

Lizz Aston

 Macramé Repeat 3 – detail 2009
(Paper Fibre, Free Motion Embroidery, Polyester Thread, Burnout)

 
Q So who is Lizz Aston?
I’m a fibre based artist, currently in my second year as an artist-in-residence in the textile studio at Harbourfront Centre. I was originally born and raised in the greater Toronto area. Growing up, I had the good fortune of being accepted into an amazing and forward thinking high school for the arts, Cawthra Park S.S.

The time I spent there, immersed in a specialized arts program came to inform the beginning of my life as an artist working within a crafts-based medium. After high school I went on to study fashion, worked as a sheet metal apprentice and developed my skills in a number of other avenues. It wasn’t until I eventually went back to school for Crafts and Design at Sheridan College that I finally realized there was a larger identity at play in the work I had been making all along.
 

Crochet 2010 (Paper Fibres, Free-Motion Embroidery, Cotton Thread, Burn-out.)

 

Q Paper features heavily in your work, what is it that excites you most about this material?
My current body of work employs the use and manipulation of paper surfaces in an attempt to reference a series of ideas inspired by traditional knotting practices. In my work I am interested in exploring the implications that these two material practices carry in combination with one another and the tension or relationship that may exist as a result of this juxtaposition.

Through my work I am interested in exploring the multifaceted relationship we have to paper and its archaic practices, as I work to discover this material through an in depth examination of its inherent transformative, resilient and simultaneously ephemeral qualities. This convergence of ideas along with an innate love of discovery through material process can be seen as the ever present theme that propels my work forward.

 

Crochet 2010: Paper Fibres (Free-Motion Embroidery, Cotton Thread, Burn-out.)

 

Q Is there any other medium you would like to work in?
I am currently at the beginning stages of learning to work in metal at the jewellery studio down the hall from me. I’ve really enjoyed revisiting this material on a much more refined scale, working alongside a fellow jewellery-studio resident Alisha Marie Boyd at the Harbourfront Centre.

I am also currently about to begin working on a collaborative group show entitled Studio Remix, in which six craftspeople pair up to teach each other our respective material processes as we work in one another’s studios. The end result will be an exhibition at the Ontario Crafts Council, a prominent Canadian craft gallery in Toronto, in August 2011. For this exhibition I have been paired up with a wonderful ceramics artist by the name of Sylvia Nan Cheng. I’m very excited to begin working in this new material as I feel it will open up a lot of new doors for me in the ways I approach making my work.
 

 Antiquated Notions 2, 2009 (Paper Fibres, Free-Motion Embroidery, Polyester Thread, Burn-out.)

 

Q Do you create your work in a studio base or a home base?
I work primarily out of the studio space at Harbourfront Centre, but tend to carry my work around with me wherever I go. I have also been known to cart my sewing machine along with me to my day shift at the bar I work at, in lieu meeting rapidly approaching exhibition deadlines!

I feel very lucky to be surrounded by such a great community of artists, musicians and makers both at the studio and at my work in Kensington Market. If anything, bringing projects along with me to work adds to the atmosphere of the already oddball Kensington market crowd I have grown up with over the years.

 

Degraded Muffin Cup Forms, 2010 (Paper, Muffin Cups, Burn-out.)

 
Q What is your typical working day look like?
Wake up. Drink coffee. Get to the studio. Read 35 emails. Eat a bagel from Tim Horton’s. Write an extensive to do list. Freak out about how much I have to do. Put on some good tunes. Cross off the list one by one. Laugh with my studio mates. Get some research, samples or a project a little further along to completion. Take a break. Look at the list again, before going home and thinking about what’s left to do tomorrow.
 

Q What is your working style?
Anybody who has ever worked alongside me in the studio would tell you that I am driven by an incredibly compulsive need to work on meticulous, fragile and generally insane, labour intensive projects that would make any normal person go cross-eyed and give up.

I love spinning delicate paper into thread, burning tiny holes into paper surfaces to create a network of lace-like structure. Counting the threads in finely woven piece of linen and binding it back to create larger patterns of negative space, as well as crocheting thousands of tiny structures before starching them into intimate little sculptural forms and so on.

Wavering Paper Formation, 2010 (Paper Doilies, Beeswax, Burn-out.)

 
Q How do you sell and promote your work?
I am primarily focussed on creating work that is intended for galleries and exhibitions. I tend to use exhibition deadlines as an avenue for which to research and explore new ideas and directions in my work. I also have a website which I am currently in the process of updating, as well as a blog which I began in the summer.
 
Q What is your greatest achievement to date?
All of the decisions that have lead me to exactly where I’m at in my life right now. Being afraid to take risks, living with the fear and just doing it anyways...

 

Paper Bark Grouping

 

Q Crafts in the 21^st Century – what does this mean to you?
As makers, we are constantly engaged in an ongoing dialogue that exists in the creation of meaningful objects; challenging the application of traditionally learned skills, to expand upon a greater definition of art and design.

Contemporary craft continues to evolve as it has become a celebrated practice that is of-the-moment and vital. This marks a turning point for a community of makers, whose work charts out and advocates a larger discourse in the ever evolving landscape of contemporary art and design.

 

Crocheted Sekishu Fibre Hatpin/Brooch

 

Q What music are you listening to at the moment?
I listen to a lot of 1960’s, punk, psychedelic, garage rock and shoe gaze. As well as medieval, folk, jug and blues. There’s also a really amazing local music scene here in Toronto with a diverse range of bands such as the Hoa Hoa’s, the Saffron Sect, Flowers of Hell, Planet Creature and the Constantine's. As well as bands like the Born Ruffians, Sports: the band and the Meligrove band....Wow, I guess you can tell I’m plugging all my friends? But really, it’s worth a serious listen.
 

Q 3 words of advice for an aspiring Craft artist/maker...
Self-discipline, the support of family and friends and a deep passion for what you do are essential to living an inspired and successful life as a craftsperson.

  Sekishu Paper Fibre/Yarns

 

Q Who is/are your favourite artist(s)/maker(s)?
To name a few: Jeannie Thib, Jean Shin, Tara Bursey, Shary Boyle, Arounna Khounnaraj, Eva Hesse, Doug Guildford, and Catherine Heard, as well as the larger community of crafts people and artists that I have been acquainted with here in Toronto over the past couple of years.
 

Q What do you do to relax?
Meeting up with friends in Kensington Market for a pint, listening to good music, cooking and sharing good food with the people around me, is an essential part of my day to day life. I am especially looking forward to a fun and wholesome winter full of Mixed CD Swapping on Sundays, impromptu dinner parties and home-made Soup Trades.

Toronto Outdoor Art Exhibition - July 2010.